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“UTOPIA” Review – after a five-year wait, Travis Scott’s alien soundscapes deliver.
The scale of UTOPIA’s soundscape is vast, and the fun you’ll have listening is immense.
“Let’s Start Here.” Review — Lil Yachty takes us to the Dark Side of the Moon with a delightful genre shift.
Lil Yachty’s returns with a surprise alternative rock album that puts him in a league of his own.
“Honestly, Nevermind” Review – a sudden genre shift makes for a fun (although shallow) experiment in an artist’s discography that has begged for a refresh over the last half decade.
“Honestly, Nevermind” Review – a sudden genre shift makes for a fun (although shallow) experiment in an artist’s discography that has begged for a refresh over the last half decade.
“It’s Almost Dry” Review – The Rap Game’s Very Own Joker Delivers an Immediate Album of the Year Contender
Sitting next to “Daytona” in Push’s discography, “It’s Almost Dry” feels just as good, if not better.
“It Ain’t A Moshpit If Ain’t No Injuries” - how Travis Scott’s signature aesthetic became his biggest failure.
After a tragic disaster at the rap star’s music festival, Scott’s aggressively promoted aesthetic of rage must be revisited.
